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- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- An Absence of PartisanshipReview1 May 1997
- The Fiction of Beverley FarmerEssay1 May 1990
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- The Fiction of Gabrielle LordEssay1 October 1999