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- Xavier Herbert: *Capricornia*Essay1 October 1970
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- The One-Actor Play in Australian DramaEssay1 May 1981
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- An Absence of PartisanshipReview1 May 1997
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Review by Martin DuwellReview1 May 1991