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- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Charles Rowcroft, For ExampleEssay1 June 1966
- Lawson’s Joe Wilson : A Skeleton NovelEssay1 June 1964
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- H. G. Wells in AustraliaEssay30 May 1990
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Primary Sources for the Study of the Vocabulary of Nineteenth Century Australian EnglishEssay1 December 1964
- *Geoffry Hamlyn* Through Contemporary EyesEssay1 December 1966
- Historiography in Melbourne in the Eighteen Seventies and EightiesEssay1 October 1969
- Vincent Buckley’s ‘Stroke’ : A DiscussionEssay1 October 1969
- Review of *The Poet Militant: Bernard O'Dowd* by Hugh Anderson; and *Christopher Brennan: Some Recollections* by Richard PenningtonReview1 October 1970
- Notes on A.D. Hope: A Bibliography (1968)Essay1 May 1971
- Review of *Witnesses of Spring: Unpublished Poems* by Shaw NeilsonReview1 October 1971
- Harpur’s Notes and Kendall’s Bell BirdsEssay1 May 1972
- Review of *Letters of Mary Gilmore*, selected and edited by W.H. Wilde and T. Inglis MooreReview1 May 1981