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- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- Review of *In Due Season: Australian Literary Studies: A Personal Memoir*, by Harry HeseltineReview1 October 2010
- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- The Historical Basis of For the Term of His Natural LifeEssay1 December 1963
- Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British ConnectionsEssay1 May 1985
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Annual Bibliography of Studies in Australian Literature: 2005Essay1 May 2006
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- The Prototype of Richard MahonyEssay1 May 1970
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995