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Interview with Christina Stead

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Bibliographic Notes on Selected Irish-Australian Writers

Australian Letters and Postwar Modernity

‘Colonial Literature for Colonial Readers!’

Review of *Vance Palmer* by Harry Heseltine

The Usable Past: Australian War Fiction of the 1950s

Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)

A Checklist of Australian Literature of the First World War

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

Olivia and Chloe: Fictions of Female Friendship

Some Mary Gilmore Letters

Kate Baker, ‘Standard-Bearer’

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*