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- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey LehmannEssay1 May 1983
- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les MurrayEssay1 October 1985
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Alan SeymourEssay1 May 1974
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- The Fiction of Beverley FarmerEssay1 May 1990
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999