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John Grant: Australia’s First ‘Really’ Radical Poet

Preying on the Past: Contexts of Some Recent Neo-Historical Fiction

*My Brilliant Career* and Feminism

Some Major Themes in the Novels of Katharine Susannah Prichard

Becoming Native: Australian Novelists and the New Zealand Wars

Editing ALS: A Memoir

Introduction

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

The Prototype of Richard Mahony

The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*

Gender and Genre in Barbara Baynton’s *Human Toll*

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Beyond Capricornia: Ambiguous Promise in Alexis Wright

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

Local Moderns: The Jindyworobak Movement and Australian Modernism

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’