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- Marcus Clarke and the TheatreEssay1 May 1975
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Reading EnglishEssay1 June 2013
- Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*Essay2 May 2023
- **Review of *Last Letter to a Reader: Essays*, by Gerald Murnane**Review2 May 2023
- Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital DecadeReview1 May 1970
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- Lawson’s Joe Wilson : A Skeleton NovelEssay1 June 1964
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016