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- Poetry, Activism and Cultural CapitalEssay1 November 2013
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- *His Natural Life* and Its SourcesEssay1 May 1971
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- Out of Context: A Study of Thomas Keneally’s NovelsEssay1 May 1969
- Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary MaterialEssay1 May 1985
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- Editing A.D. HopeEssay1 October 1986
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972