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*The Battlers*: Kylie Tennant and the Australian Tradition

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

Shame in Ruth Park’s Inner Sydney Novels

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Interview with Christina Stead

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

William Baylebridge : Man’s Voice Proclaiming Man

John Tranter: Absence in Flight

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

Gentlefolk Errant: The Family Writings of Martin Boyd

‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada Cambridge

‘The Orange Tree’ and the Limitations of Poetry

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

Transgressing Language?: The Poetry of Ania Walwicz

‘Roost High and Crow Low’: The Legacy of Barry Andrews

The Mysterious Case of Carter Brown, or, Who Really Killed the Australian Author

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*