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‘The Orange Tree’ and the Limitations of Poetry

Ways of Seeing : Henry Lawson’s ‘Going Blind’

The One-Actor Play in Australian Drama

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Poetry and Politics in Oodgeroo: Transcending the Difference

Evoking Empathy: Structures of Language and Feeling in Robert Gray’s Poetry

Man, Work and Country: The Production of Henry Lawson

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Les Murray: A Selective Checklist

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Criminal Transport: George Barrington and the Colonial Cure

Dying of Landscape: E.L. Grant Watson and the Australian Desert

Brereton, the *Bulletin*, and A.G. Stephens

‘Talking with Yagan’s Head’: The Poetry of John Mateer

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Mid-Victorian Reading and the Antipodes

The Telling of Marmel’s Story

Generations Lost and Found: Reading Women Writers Together