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Review of *That Shining Band,* *Christina Stead*, *Dancing on Hot Macadam: Peter Carey's Fiction*, *Provisional Maps: Critical Essays on David Malouf,* and *The Ironic Eye*

Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’

Introduction

Review of *Locating Australian Literary Memory*, by Brigid Magner

An Interview with Gabrielle Lord

Australian Literary Lives

Theory as Fireworks: An Interview with Brian Castro

When ‘History Changes Who We Were’

Review of *Backgazing: Reverse Time in Modernist Culture* by Paul Giles

Review of *The Broad Arrow: Being Passages from the History of Maida Gwynnham, a Lifer*, by Oliné Keese, edited by Jenna Mead

Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-Rowston

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

Unknown Australia: Rosa Praed’s Vanished Race

‘But who considers woman day by day?’: Australian Women Poets and World War I

Annual Bibliography of Studies in Australian Literature: 2007

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**