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Review of *The Penguin New Literary History of Australia*, general editor, Laurie Hergenhan; editors Bruce Bennett, Martin Duwell, Brian Mathews, Peter Pierce, Elizabeth Webby

Hal Porter: A Profile

From Rowcroft to White: Australian Fiction in Sweden

Review of *Arcady in Australia: The Evocation of Australia in Nineteenth Century Literature* by Coral Lansbury

‘Damned Scamp’: Marcus Clarke or James Erskine Calder?

Review of *White Apology and Apologia: Australian Novels of Reconciliation* by Liliana Zavaglia

Review of *That Shining Band,* *Christina Stead*, *Dancing on Hot Macadam: Peter Carey's Fiction*, *Provisional Maps: Critical Essays on David Malouf,* and *The Ironic Eye*

Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’

Introduction

Review of *Locating Australian Literary Memory*, by Brigid Magner

An Interview with Gabrielle Lord

Australian Literary Lives

Theory as Fireworks: An Interview with Brian Castro

When ‘History Changes Who We Were’

Review of *Backgazing: Reverse Time in Modernist Culture* by Paul Giles

Review of *The Broad Arrow: Being Passages from the History of Maida Gwynnham, a Lifer*, by Oliné Keese, edited by Jenna Mead

Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-Rowston

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

The Composition of *Geoffry Hamlyn*: The Legend and the Facts