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- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987
- Annual Bibliography of Studies in Australian Literature : 1975Essay1 May 1976
- Christina Stead: A ChecklistEssay1 October 1980
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for ChildrenEssay9 July 2018
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Walter Murdoch : ‘A Humble Protest’?Essay1 October 1993
- Means and Ends in WritingEssay1 October 1979
- IntroductionEssay7 December 2016
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters PertainingEssay1 October 1983
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006