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- Henry Handel Richardson Fifty Years OnEssay1 May 1998
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- After Libertarianism: An Interview with Michael WildingEssay1 May 1998
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- Interview with Thomas Keneally, Manly, 27 June 2012Essay30 May 2015
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965
- Hal Porter’s Comic ModeEssay1 October 1970
- 'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?Essay1 May 1981
- The Chant of Thomas KeneallyEssay1 May 1982
- Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig LeichhardtEssay1 October 1982
- Adam McCay and Sydney’s Literary Bohemia (1911-1947)Essay1 October 1984
- Some Volumes of Selected Poems of the 1970sReview1 May 1981