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- Review of *Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy*, by Ken Gelder and Rachael WeaverReview25 February 2018
- The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*Essay1 October 1968
- Australia’s ‘First’ DramatistsEssay1 May 1969
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- War Poetry: Myth as De-formation and Re-formationEssay1 October 1985
- ‘Things are Cast Adrift’: Brian Castro’s FictionEssay1 October 1995
- ‘Greetings to the Angry Penguins’: Ern Malley, Harry Roskolenko and USA ConnectionsEssay1 May 1996
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- The Making of Thomas KeneallyEssay30 May 2015
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Literary Nationalism and the 1890sEssay1 May 1971
- My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters PertainingEssay1 October 1983
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015