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Review of *Who Is She? Images of Woman in Australian Fiction', ed. Shirley Walker

Reminiscences of Kenneth Seaforth Mackenzie and E.L. Grant Watson

Tranter’s Plots

Myth and the Poetry of A. D. Hope

An Interview with Chris Wallace-Crabbe

‘untranscended / life itself’: The Poetry of Pam Brown

Impossible Literary Histories

The ‘Literary Photographs’ of Henry Lawson

Louisa and Henry and Gertie and the Drover’s Wife

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

In His Own Sweet Time: Carmen’s Coming Out

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

The Company She Keeps: Demidenko and Imposture in Autobiography

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Means and Ends in Writing

Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*

‘Interest’ in Les A. Murray