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- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- *Salt*: An Australian Second World War Journal and Its ContemporariesEssay1 May 1993
- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994
- Long Memoried Women: Oodgeroo Noonuccal and Jamaican Poet, Louise BennettEssay1 November 1994
- A Mate in PublishingEssay1 November 1994
- Anzac, Literary Genre and MemoryEssay1 October 1996
- Tales of Old Travel: Predecessors of David Malouf’s *The Conversations at Curlow Creek*Essay1 October 1997
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam ShoemakerReview1 May 1990
- Recent Australian Autobiography: A Review EssayEssay1 October 1992
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- The British Tradition in John Morrison’s Radical NationalismEssay1 May 2002
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- ‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’Essay1 May 2004
- Roy Bridge’s Fictions of Van Diemen’s LandEssay1 October 2000
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- My Brilliant Career and RadicalismEssay1 October 2002
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014