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Means and Ends in Writing

Reading Byron in Kororāreka: *The Journal of Ensign Best*

*The Sentimental Bloke* and His Critics

The Surrender to Truth in The Early Australian Novel

Havelock Ellis’s Australian Idyll

Some Recent Australian Plays, and Problems of Their Criticism

Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*

Some Volumes of Selected Poems of the 1970s, II

A New Version of Pastoral: Developments in Michael Wilding’s Fiction

The Poetry of Les Murray

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

The Craftsmanship of Lawson Revisited

Gentlefolk Errant: The Family Writings of Martin Boyd

Dreams and Visions in *The Tree of Man*

The Structure of Frederic Manning’s War Novel *Her Privates We*

‘The Orange Tree’ and the Limitations of Poetry

Ways of Seeing : Henry Lawson’s ‘Going Blind’

The One-Actor Play in Australian Drama

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*