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- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- Jack LindsayEssay1 October 1983
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- David Campbell’s Poetic MindEssay1 October 1984
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Discoveries and Transformations: Aspects of David Malouf’s WorkEssay1 May 1984
- A New Map of Australia: The Plays of David WilliamsonEssay1 May 1984
- A Checklist of Australian Literature of the First World WarEssay1 October 1985
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Marcus Clarke and the TheatreEssay1 May 1975