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‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Review of *Charles Harpur, An Australian* by J. Normington Rawling

Early Evidence for ‘Bushranger’ and ‘Croppy’

Review of *Henry Kingsley* ed. J.S.D. Mellick, *Joseph Furphy*, ed. John Barnes, *Barbara Baynton* ed. Sally Krimmer and Alan Lawson

Review of *Double Agent: David Ireland and His Work* by Helen Daniel

Some Remarks on the Late Great Hal Porter

Editors’ Statements [Laurie Clancy]

Review of *L'aube D'une Nation: les écrivains d'Australie de 1788 á 1910* by Maryvonne Nedelijkovic; and *Die Rezeption australischer Literatur im deutschen Sprachraum von 1845-1979* by Volker Wolf

The Historical Source for Ada Cambridge’s ‘The Camp’

Christina Stead: An Interview

Review of *Dream and Disillusion: A Search for Australian Cultural Identity' by David Walker, *Darron Field's Memoirs of Wordsworth* edited by Geoffrey Little, and *Henry Kendal* by W.H. Wilde

Review *Frank the Poet* by John Meredith and Rex Whalan

Gaeldom and the Western District

The Road Ahead

Review of *Michael Dransfield's Lives: A Sixties Biography* by Patricia Dobrez

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

Review of *Henry Handel Richardson: The Letters*, edited by Clive Probyn and Bruce Steele, with Rachel Solomon and Patrick O'Neill

Review of *Mongrel Signatures: Reflections on the Work of Mudrooroo*, edited by Annalisa Oboe

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar