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- Review of *Christos Tsiolkas: The Utopian Vision*, by Jessica GildersleeveReview19 September 2017
- Review of *Catherine Helen Spence* ed. Helen Thomson; and *Point of Departure. The Autobiography of Jean Devanny* ed. Carole FerrierReview1 October 1987
- Review of *Courage a Grace: A Biography of Dame Mary Gilmore* by W.H. Wilde, and *Martin Boyd: A Life* by Brenda NiallReview1 May 1989
- Bringing Franklin Up to Date: The Film of *My Brilliant Career*Essay1 May 1980
- Looking Beyond the Subject: Some Recent BiographiesReview1 May 1995
- ‘My Little Ghost-Slave’: The Queer Lives of Rosa PraedEssay1 October 1996
- Joyce Eyre and Australian Literature at the University of TasmaniaEssay1 November 2008
- ‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles FranklinEssay16 November 2016
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- Review of *A Tragic Vision: The Novels of Patrick White* by A.M. McCullochReview1 October 1984
- Oodgeroo: Orator, Poet, StorytellerEssay1 November 1994
- Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s InterestsEssay1 May 2003
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YAEssay23 May 2022
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010