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- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s InterestsEssay1 May 2003
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- ‘untranscended / life itself’: The Poetry of Pam BrownEssay1 October 2005
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- The Fiction of Beverley FarmerEssay1 May 1990
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Three Talks: David Malouf, Les Murray and David Rowbotham: David RowbothamEssay1 May 1984
- Review of *Theatre Comes to Australia* by Eric Irvin, and *A Family of Brothers: The Taits and J.C. Williamson; a Theatre History* by Viola TaitReview1 October 1972
- The ‘Dark’ Element in Hugh McCraeEssay1 October 1973
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- Research in Progress in Australian Literature [1977]Essay1 October 1977