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Review of *From Deserts the Prophets Come: The Creative Spirits in Australia* by Geoffrey Serle

Reviews of books by William Walsh, Bruce King, William H. New and Alastair Niven

Review of books by Randolph Bedford, Eric Drayton Davis, Harry F. Chaplin and Robert D. Fitzgerald

Review of *After 'The Doll': Australian Drama since 1955* by Peter Fitzpatrick

On Our Selection: Special Australian Issues of Overseas Journals

Review of *Australian Poetry: Romanticism and Negativity* by Paul Kane, and *Bridging: Readings in Australian Women's Poetry* by Rose Lucas and Lyn McCredden

Review of *That Shining Band,* *Christina Stead*, *Dancing on Hot Macadam: Peter Carey's Fiction*, *Provisional Maps: Critical Essays on David Malouf,* and *The Ironic Eye*

Australian Literary Lives

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

Getting Started: The Emergence of Christina Stead’s Early Fiction

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

The Dual Nature of Shaw Neilson’s Vision

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

The Drowned World of Kenneth Slessor

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Beatrice Davis and ‘The Sacredness of the Printed Word’

Some Volumes of Selected Poems of the 1970s