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- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*Essay1 October 1968
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Some Volumes of Selected Poems of the 1970sReview1 May 1981
- Sheer Voice and Fidget Wheels: A Study of 'Five Bells'Essay1 May 1988
- *The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’Essay1 May 1994
- Tales of Old Travel: Predecessors of David Malouf’s *The Conversations at Curlow Creek*Essay1 October 1997
- Review of *Louis Becke* by A. Grove Day, and *South Sea Supercargo* by Louis Becke, edited and with Introduction by A. Grove DayReview1 May 1968
- Review of *A Crucible of Prophets: Australians and the Question of God* by Veronica BradyReview1 October 1982
- Review of *Exiles at Home: Australian Women Writers 1925-1945* by Drusilla ModjeskaReview1 October 1982
- Review of *The Making of Australian Drama: A Historical and Critical Survey from the 1830s to the 1970s* by Leslie ReesReview1 October 1973