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- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Annual Bibliography of Studies in Australian Literature: 1987Essay1 May 1988
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- An Interview with Carter BrownEssay1 May 1975
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- Authors’ Statements [Damien White]Essay1 October 1981
- A Checklist of Australian Literature of the Vietnam WarEssay1 October 1985
- Review of six recent critical studies of Patrick WhiteReview1 May 1986
- Review of Books by Barnes, Scheuerle, Smith and DowReview1 October 1972
- Annual Bibliography of Studies in Australian Literature: 1995Essay1 May 1996
- Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa PetersenReview1 May 2003
- Authors’ Statements [Thea Astley]Essay1 October 1981
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Authors’ Statements [John Morrison]Essay1 October 1981
- Review of *Strange Country: A Study of Randolph Stow*, by Anthony J. HassallReview1 October 1986