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‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

**The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**

Conceptualising Irish-Aboriginal Writing

Australian Letters and Postwar Modernity

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

Introduction

Patrick White’s Four Plays

Annual Bibliography of Studies in Australian Literature: 1967

Impossible Literary Histories

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Ern Malley and His Rivals

My Brilliant Career and 1890s Goulburn

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*