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A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

Lawler’s Demythologizing of the Doll: Kid Stakes and Other Times

War Correspondents in Australian Literature: An Outline

A Survey of Australian Utopian and Dystopian Fiction

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth Century

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

Poetry and Politics in Oodgeroo: Transcending the Difference

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Randolph Stow’s *Outrider* and the French Voyager Poem

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

About Face: Asian-Australians at Home

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

In His Own Sweet Time: Carmen’s Coming Out

Veronica Brady’s Biography of Judith Wright

Australian Literature: Points for Departure

Not Reading the Nation: Australian Readers of the 1890s

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*