Your search for “1983” found 387 results
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- Gossip and History in the Novels of Brian Penton and Thomas KeneallyEssay1 October 1990
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003