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- Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s BiographyEssay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- Jindyworobaks and AboriginesEssay1 May 1977
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Thoughts on Some Recent PoetryEssay1 October 1977
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997