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- The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’Essay1 October 1978
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Review of *Henry Lawson, Letters 1890-1922* edited by Colin RoderickReview1 May 1971
- Hal Porter: A ProfileEssay1 October 1975
- The Family Face: Martin Boyd’s Art of MemoirEssay1 May 1976
- The Getting of Wisdom : Not ‘Merry’ at AllEssay1 May 1977
- Oodgeroo: A Selective ChecklistEssay1 November 1994
- Person, Persona and Product: Henry Kendall and ‘Steele Rudd’Essay1 May 1996
- Theory as Fireworks: An Interview with Brian CastroEssay1 May 2002
- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999
- The World Outside Time : Slessor’s Five BellsEssay1 October 1971
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- A Survey of Chinese Translation of Australian LiteratureEssay1 October 1989