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Some Remarks on the Late Great Hal Porter

Editors’ Statements [Jim Davidson]

Review of *Exiles at Home: Australian Women Writers 1925-1945* by Drusilla Modjeska

Getting Started: The Emergence of Christina Stead’s Early Fiction

Review of *Criticism* by Brian Kiernan and *Patrick White* by Alan Lawson

Review of *The Making of Australian Drama: A Historical and Critical Survey from the 1830s to the 1970s* by Leslie Rees

Review of *Considerations: New Essays on Kenneth Slessor, Judith Wright, and Douglas Stewart* ed. Brian Kiernan, and *Australian Poems in Perspective: A Collection of Poems and Critical Commentaries* ed. P.K. Elkin

Review of *A Writing Life* By Giulia Giuffré

John Grant: Australia’s First ‘Really’ Radical Poet

Oodgeroo’s Impact on Federal Politics

Review of *Bodyjamming: Sexual Harassment, Feminism and Public Life*, edited by Jenna Mead

Review of *Capricornia* and *South of Capricornia: short stories* (1925-34) by Xavier Herbert, and *Xavier Herbert: episodes from Capricornia, Poor Fellow My Country and other fiction, nonfiction and letters*, edited by Frances de Groen and Peter Pierce.

Review of *Kenneth Slessor*, by Adrian Caesar, and *Kenneth Slessor: Collected Poems*, edited by Dennis Haskell and Geoffrey Dutton

Review of *The Magic Phrase: Critical Essays on Christina Stead* and *Christina Stead's Politics of Place*

Review of *Gangland: Cultural Elites and the New Generationalism*, by Mark Davis

Review of *A.D. Hope: Selected Poetry and Prose*, *The Double Looking Glass: New and Classic Essays on the Poetry of A.D. Hope*, and *Lost Angry Penguins: D.B. Kerr and P.G. Pfeiffer: A Path to the Wind*

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

Review of *Re-presenting Otherness: Mapping the Colonial 'Self,' Mapping the Indigenous 'Other' in the Literatures of Australia and New Zealand*, edited by Franrçoise Kral

Review of *Creating Frames: Contemporary Indigenous Theatre*, by Maryrose Casey

Review of *Charmian and George: The Marriage of George Johnston and Charmian Clift*, by Max Brown