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Fantasising the Nation for Child Readers in Early Australian Fairy Tales

Introduction

Review of *Elizabeth Harrower: Critical Essays*, edited by Elizabeth McMahon and Brigitta Olubas

Review of *Modern Australian Poetry, 1920-1970: A Guide to Information Sources* by Herbert C. Jaffa

Review of *Australia on the Popular Stage: 1829-1929* by Margaret Williams

Review of *L'aube D'une Nation: les écrivains d'Australie de 1788 á 1910* by Maryvonne Nedelijkovic; and *Die Rezeption australischer Literatur im deutschen Sprachraum von 1845-1979* by Volker Wolf

Xavier Herbert

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

Review of *Theatre Comes to Australia* by Eric Irvin, and *A Family of Brothers: The Taits and J.C. Williamson; a Theatre History* by Viola Tait

Review of *Christina Stead: A Life of Letters* by Chris Williams, *Christina Stead* by Diana Brydon, *Christina Stead* by Susan Sheridan, and *Christina Stead's Heroine: The Changing Sense of Decorum* by Kate Macomber Stern

Alrene Sykes

Oodgeroo’s Impact on Federal Politics

Review of *David Williamson: A writer's Career*, by Brian Kiernan

Review of *Territorial Disputes: Maps and Mapping Strategies in Contemporary Canadian and Australian Fiction*, by Graham Huggan, and *Identifying Australia in Postmodern Times*, edited by Livio Dobrez

Review of *Xavier Herbert: A Biography*, *Eleanor Dark: A Writer's Life* and *The Queen of Bohemia: The Autobiography of Dulcie Deamer: Being 'The Golden Decade'*

Review of *Authority and Influence: A ustralian Literary Criticism 1950-2000*, edited by Delys Bird, Robert Dixon, and Christopher Lee

Review of *Prosthetic Gods: Travel, Representation and Colonial Governance*, by Robert Dixon

Review of *Convict Words: Language in Early Colonial Australia*, by Amanda Laugesen, and *Chain Letters: Narrating Convict Lives*, edited by Lucy Frost and Hamish Maxwell-Stewart

Cultural Cringe in Academe: Studying Literature in the 1940s

Review of *Ways of Seeing China: From Yellow Peril to Shangrila*, by Timothy Kendall