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Annual Bibliography of Studies in Australian Literature : 1982

At the Edge: Geography and the Imagination in the Work of David Malouf

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

Getting Started: The Emergence of Christina Stead’s Early Fiction

*An Imaginary Life*: The Dimensions of Self

The Dual Nature of Shaw Neilson’s Vision

Thomas Keneally: A Checklist

Fred J. Broomfield: Research Assistant Extraordinaire

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Treating Dora in *His Natural Life*

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

‘But who considers woman day by day?’: Australian Women Poets and World War I

In the Beginning: David Malouf’s *An Imaginary Life*

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*