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- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary MaterialEssay1 May 1985
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- Annual Bibliography of Studies in Australian Literature : 1971Essay1 May 1972
- Annual Bibliography of Studies in Australian Literature: 1973Essay1 May 1974
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Annual Bibliography of Studies in Australian Literature : 1979Essay1 May 1980
- Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988Essay1 May 1995
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- ‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and AnxietyEssay1 November 2000
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004