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Country Poetry and Town Poetry: A Debate

A Frame of Reference: Rosemary Dobson’s Grace Notes for Humanity

From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*

A Mate in Publishing

Honi Heke: The Maori as Aboriginal Hero in Australian Colonial Poetry

Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*

Three-Dimensionality and *My Brother Jack*

A Tale of Two Countries: *Jack Maggs* and Peter Carey’s Fiction

*My Brilliant Career* and Feminism

Roy Bridge’s Fictions of Van Diemen’s Land

‘untranscended / life itself’: The Poetry of Pam Brown

Miles Franklin and ‘The Survivors’

Bibliographic Notes on Selected Irish-Australian Writers

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Review by Adrian Mitchell

A.D. Hope and the Poetry of Allusion

History and Fiction in Rolf Boldrewood’s *The Miner’s Right*

Review of *Australian in Western Imaginative Prose Writings 1600-1960* by Werner P. Friederich

A.G. Stephens as Editor of Barcroft Boake’s Poems : A Comment