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- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- The Making of Thomas KeneallyEssay30 May 2015
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*Essay1 October 1983
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- The Poetry of Les MurrayEssay1 May 1985
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- John Tranter: Absence in FlightEssay1 October 1986
- Anthologies and OrthodoxiesEssay1 May 1987
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Impossible Literary HistoriesEssay1 October 2010
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Patrick White’s Novels and NietzscheEssay1 May 1980