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Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*

*The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’

Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous Author

‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian Club

Roy Bridge’s Fictions of Van Diemen’s Land

English Studies: A Personal Journey

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Louis Stone’s ‘Jonah’ : A Cinematic Novel

‘Bushranger’ and ‘Croppy’ : A Footnote to Convict Jargon and Euphemism

John Greenway on Folksong - A Reply

Review of *The Farthing Poet*: A Biography of Richard Hengist Home 1802-84, by Ann Blainey

A.G. Stephens as Editor of Barcroft Boake’s Poems : A Comment

‘The Ram of Albury’

Review of *Bread and Wine: Selected Prose* by Kenneth Slessor

Barbara Baynton: Woman as ‘The Chosen Vessel’

War Correspondents in Australian Literature: An Outline

Drama’s Vitallest Expression: The Fiction of Olga Masters

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Olivia and Chloe: Fictions of Female Friendship

*Ralph Rashleigh*: A Convict Dream