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- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s BiographyEssay1 May 1988
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’Essay1 October 1978
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995