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- Review of *Stressing tile Modern: Cultural Politics in Australian Women's Poetry*, by Ann VickeryReview1 May 2009
- Review of *Not Wrong - Just Different: Observations on the Rise of Contemporary Australian Theatre*, by Katharine BrisbaneReview1 October 2006
- Review of *The Literary Larrikin: A Critical Biography of TA.G. Hungerford*, by Michael CrouchReview1 May 2007
- Review of *Mick: A Life of Randolph Stow*, by Suzanne FalkinerReview25 February 2018
- Review of *Required Reading: Literature in Australian schools Since 1945*, edited by Tim Dolin, Jo Jones and Patricia Dowsett.Review25 February 2018
- Review of *Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy*, by Ken Gelder and Rachael WeaverReview25 February 2018
- Review of *Antipodal Shakespeare: Remembering and Forgetting in Britain, Australia and New Zealand, 1916-2016*, by Gordon McMullan and Philip Mead, with Ailsa Grant Ferguson, Kate Flaherty, and Mark HoulahanReview9 July 2018
- Interview with Hal PorterEssay1 May 1978
- Charles Harpur’s ‘Midsummer Noon’: A Structuralist ApproachEssay1 October 1978
- ‘Home Ground, Foreign Territory’: Living with AustraliaEssay1 June 1991
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- Annual Bibliography of Studies in Australian Literature : 1979Essay1 May 1980
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- Society of Women Writers 1925-1935Essay1 May 2004
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002