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- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- The Historical Basis of ‘Robbery Under Arms’Essay1 June 1965
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965
- The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*Essay1 October 1968
- A Checklist of Australian Literature of World War IEssay1 October 1969
- Hal Porter’s Comic ModeEssay1 October 1970
- Catherine Helen Spence, Unitarian UtopianEssay1 May 1971
- Adam McCay and Sydney’s Literary Bohemia (1911-1947)Essay1 October 1984
- Voss and His Communications: A Structural ContrastEssay1 October 1982
- A Survey of Chinese Translation of Australian LiteratureEssay1 October 1989
- D.H. Deniehy as a Critic of Colonial LiteratureEssay1 May 1980
- Marcus Clarke’s LibraryEssay1 October 1976
- A.D. Hope’s ‘The Double Looking Glass’: A ReadingReview1 October 1974
- The Design of ‘For the Term of His Natural Life’Essay1 October 1974
- John TranterEssay1 October 1977