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Interview with Christina Stead

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

A Survey of Australian Utopian and Dystopian Fiction

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Politics and Passion in Stead’s Late Novels

Review of *Courage a Grace: A Biography of Dame Mary Gilmore* by W.H. Wilde, and *Martin Boyd: A Life* by Brenda Niall

Annual Bibliography of Studies in Australian Literature: 1994

Review of *Helen Garner*, by Kerryn Goldsworthy, *Masks, Tapestries, Journeys: Essays in Honour of Dorothy Jones*, edited by Gerry Turcotte, and *Reading Aboriginal Women's Autobiography*, by Anne Brewster

Annual Bibliography of Studies in Australian Literature: 1988

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

Review of *A Crucible of Prophets: Australians and the Question of God* by Veronica Brady

Review of *Death is a Good Solution* by A.W. Baker; and *Snow on the Saltbush* by Geoffrey Dutton

Christina Stead: A Checklist

Hollow Men’s Country: Review of Kim Scott, *True Country*

‘Beyond the Regions of Ordinary ‘Lady’ Verse’: Two Uncollected Poems by Louisa Anne Meredith

Review of *Henry Handel Richardson*, by Michael Ackland, *Henry Handel Richardson*, edited by Susan Lever and Catherine Pratt, and *The Tomis Complex: Exile and Eros in Australian Literature*, by Irina Grigorescu Pana

The Pursuit of Oblivion: In Flight from Suburbia