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- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994
- A Mate in PublishingEssay1 November 1994
- ‘My Little Ghost-Slave’: The Queer Lives of Rosa PraedEssay1 October 1996
- An Interview with Chris Wallace-CrabbeEssay1 October 1996
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam ShoemakerReview1 May 1990
- Preying on the Past: Contexts of Some Recent Neo-Historical FictionEssay1 October 1992
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- My Brilliant Career and RadicalismEssay1 October 2002
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Charismatic Masculinity in David Malouf’s FictionEssay1 May 2010
- Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and LiteratureEssay1 June 2014
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- ‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919Essay30 September 2021
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- Annual Bibliography of Studies in Australian Literature: 1991Essay1 May 1992