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- Review of *Paper Empires: A History of the Book in Australia, 1946-2005*, edited by Craig Munro and Robin Sheahan-BrightReview1 November 2008
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Jolley’s WomenEssay1 May 2009
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*Essay1 October 1982
- Review of *Unnatural Lives: Studies in Australian Fiction about the Convicts, from James Tucker to Patrick White* by Laurie HergenhanReview1 May 1984
- Narcotic Entanglements: Recent Works of Australian Literary CriticismReview1 May 1994
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-RowstonReview30 September 2022
- Reading *My Brilliant Career*Essay1 October 2002
- How Australia’s Literary History Might be WrittenEssay1 May 1983
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997