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- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Friendship in a Time of LonelinessEssay1 May 2009
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Christina Stead: An InterviewEssay1 May 1974
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008