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Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*

A Survey of Australian Utopian and Dystopian Fiction

Ripping Yarns, Ideology, and *Robbery Under Arms*

Sentimental Jonah’s Heart of Stone

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Last Flight to Byzantium: *Memoirs of Many in One*

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Man, Work and Country: The Production of Henry Lawson

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

Transgressing Language?: The Poetry of Ania Walwicz

Michael Wilding’s Three Centres of Value

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Australian Literature: Points for Departure

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia