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- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Nationalism before Nationhood: Overseas Horizons in Debates of the 1880sEssay1 October 1990
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Les Murray: A Selective ChecklistEssay1 October 2001
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008