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- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary MaterialEssay1 May 1985
- A Decade of ComplaintsEssay30 October 2023
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024
- Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for ChildrenEssay9 July 2018
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- A Survey of Chinese Translation of Australian LiteratureEssay1 October 1989
- A Mate in PublishingEssay1 November 1994
- Oodgeroo: Orator, Poet, StorytellerEssay1 November 1994
- Miles Franklin’s Topical Writings: A ListingEssay1 May 2001
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Review of *An Unsentimental Bloke: The Life and Works of C.J. Dennis*, by Philip ButterssReview1 November 2013
- Review by Adrian MitchellReview1 May 1970
- ‘Bushranger’ and ‘Croppy’ : A Footnote to Convict Jargon and EuphemismEssay1 June 1966
- Review of the *Australian Writers and Their Work* series, edited by Geoffrey DuttonReview1 June 1966
- Review of *The Novels of Kylie Tennant* by Margaret DickReview1 December 1966