Your search for “novel” found 1168 results
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- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Review of *London Was Full of Rooms*, edited by Tully Barnett, Nena Bierbaum, Syd Harrex, Rick Hosking and Graham TullochReview1 May 2007
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Review of *An Introduction to the Australian Novel 1830-1930* by Barry ArgyleReview1 October 1973
- The Fifty Best Australian Novels: 1933Essay1 October 1989
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- An Interview with Thomas KeneallyEssay1 October 1986
- Review of *Images of Society and Nature, Seven Essays on Australian Novels* by Brian KiernanReview1 May 1972
- Nettie Palmer: A Checklist of Literary Journalism, 1918-1936Essay1 October 1973
- ‘Another Fresh Australian Tale’: The American Publication of Catherine Martin’s The Silent SeaEssay1 October 1992
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Interview with Thomas Keneally, Manly, 27 June 2012Essay30 May 2015
- Xavier Herbert: A ChecklistEssay1 October 1978
- ‘The Only Russian in Sydney’: Modernism and Realism in *The Watch Tower*Essay1 May 1992