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Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

Facey’s A Fortunate Life and Traditional Oral Narratives

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Capricornia : Seasonal, Diurnal and Colour Patterns

Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

Henry Kingsley: *Ravenshoe*

Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*

The Sites of War in the Fiction of Thomas Keneally

Ripping Yarns, Ideology, and *Robbery Under Arms*

Representation and Particularity in Pastoral: Some Examples from *Walden*

Patrick White’s Novels and Nietzsche

Louisa and Henry and Gertie and the Drover’s Wife

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Reading Kate Llewellyn’s Garden(Books)

Imagining Transcendence: The Poetry of David Malouf

Salt Scars: John Kinsella’s Wheatbelt